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Art Books

Caroline Poggi and Jonathan Vinel, Infinite Memory

30 €

First monograph of the work of Caroline Poggi and Jonathan Vinel, this book is a formal experimentation presenting a selection of films of emerging French film-making duo, who employs the languages of video games, archives, and film-making to hybridise genres and break aesthetic conventions. Spiral-bound, the book is punctuated by an infinity of potential covers: it has no beginning or end. Like a memory card, it keeps a record of the duo’s work, encompassing the variety of mediums with which Poggi and Vinel engage.

With contributions by Philippe Azoury, Alenda Y. Chang, Béatrice Grenier, Ingrid Luquet-Gad, Caroline Poggi, and Jonathan Vinel.

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Editor Fondation Cartier pour l’art contemporain, Paris / Lenz Press, Milan
Languages English version
Format

Spiral binding, 19 × 24 cm, 274 pages

270 color and black and white reproductions

Design Lorenzo Mason Studio, Venise ©
ISBN 9791280579669
Release October 2024

Caroline Poggi

Caroline Poggi was born in 1990 in Ajaccio. She studied film editing at the University of Corsica, and then graduated from the University Paris 8. She began directing solo before embarking on a collaboration with Jonathan Vinel for Tant qu’il nous reste des fusils à pompes, which won the Golden Bear for Best Short Film at the 2014 Berlinale. heir first feature film, Jessica Forever (2018), premiered at the Toronto International Film Festival and subsequently played at the 2019 Berlinale. Eat the Night was presented in the Directors’ Fortnight at the 2024 Cannes Film Festival.

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Jonathan Vinel

Born in Toulouse in 1988, Jonathan Vinel studied editing at La Fémis. He began directing solo before embarking on a collaboration with Caroline Poggi for Tant qu’il nous reste des fusils à pompes, which won the Golden Bear for Best Short Film at the 2014 Berlinale. Their first feature film, Jessica Forever (2018), premiered at the Toronto International Film Festival and subsequently played at the 2019 Berlinale. Eat the Night was presented in the Directors’ Fortnight at the 2024 Cannes Film Festival.

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