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Smell The Perfume…Or When the Youth was Free in Bamako A text by Manthia Diawara on Malick Sidibé

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In 2017, the Fondation Cartier pour l’art contemporain presented an exhibition paying tribute to photograph Malick Sidibé, a year after he passed away. Through over 250 photographs, Mali Twist revealed how the artist, called the “eye of Bamako”, captured the joie de vivre and elegance of Malian youth in the 1960s. The exhibition catalog published alongside this event brings together the artist’s most remarkable photographs, and a text by Manthia Diawara. The latter takes a moving look at Malick Sidibé’s photographs. He recounts the carefree nature of youth during that era, which he himself experienced, when Mali had just gained independence, offering a historical dive into the Bamako of the yé-yé years, in the time of twist and rock’n’roll.

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Editor Fondation Cartier pour l’art contemporain, Paris
Languages Versions française et anglaise
Format

Broché, 17 × 10,5 cm, 44 pages
non-illustré

Design Nolwen Lauzanne
ISBN 9782869252059

Manthia Diawara

Manthia Diawara (1953, Bamako, Mali) is a distinguished professor of comparative literature and cinema at New York University. He is the author of books on the literature and cinema of the black diaspora, including African Cinema: Politics and Culture (Bloomington: Indiana University Press, 1992), Black American Cinema (London: Routledge, 1993), In Search of Africa (Cambridge: Harvard University Press, 1998), En quête d’Afrique (Paris: Présence Africaine, 2001), and We Won’t Budge: An African Exile in the World (New York: Basic Civitas, 2003). In 2001, Diawara was the curator of the exhibition Mali Kow (Parc de la Villette, Paris). He also directed the documentaries Sembène: The Making of African Cinema (1994), Rouch in Reverse (1995), Bamako Sigi-Kan—Le Pacte de Bamako (2003), An Opera of the World (2017). In 2022–23, he directed A Letter From Yene (London: Serpentine Galleries), AI, African Intelligence, and Angela Davis: A World of Greater Freedom.

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