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Essays

Juergen: The Ideal Son-in-Law A text by Marie Darrieussecq on Juergen Teller

10 €

In 2006, the Fondation Cartier pour l’art contemporain unveiled for the first time the work of German photographer Juergen Teller in an exhibition entitled Do you know what I mean? Mixing fashion photographs, portraits of celebrities such as Kate Moss or Yves Saint Laurent, everyday images, and self-portraits, the exhibition revealed his very personal photographic approach, which transcends traditional divisions between fashion and documentary, the public and private spheres, and offers a sensitive and deeply touching look at our time. Marie Darrieussecq contributed to the exhibition catalog with a humoristic and offbeat fictional text inspired by the photographic world of Juergen Teller.

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Editor Fondation Cartier pour l’art contemporain, Paris
Languages Bilingual French / English version
Format

Paperback, 17 × 10.5 cm, 44 pages
non-illustrated

Design Nolwen Lauzanne
ISBN 9782869252028
Release October 2025

Marie Darrieussecq

Marie Darrieussecq studied literature, first in preparatory classe at the Lycée Louis-Le-Grand in Paris, then at the École Normale Supérieure on Rue d’Ulm. In 1992, she received her agrégation in Modern Literature, and then she defended a PhD on “the tragic irony of autofiction in Perec, Leiris, Doubrovsky and Guibert” in 1997. Marie Darrieussecq achieved success with her first novel, Pig tales (The New Press, New York, 1997), which sold more than 300,000 copies and was translated into 34 languages. Her writings blend both fiction and autobiography. She tries her hand at different genres—the novel, theater, the essay—which often address the question of motherhood, mourning, or the theme of metamorphosis. Marie Darrieussecq features two heroines, Rose and Solange, friends since childhood, in several of her novels published by P.O.L, Paris, at different moments in their lives: in Clèves (2011), Il faut beaucoup aimer les hommes (2013)—which won the Prix Médicis—La Mer à l’envers (2019), and more recently Fabriquer une femme (2024).

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